Audio Mixers
The Audio Mixer is the most critical piece of equipment for any live show, recording session, or broadcast. Another term for this instrument is a mixer. It takes in a variety of audio sources, such as instruments, microphones, and playback, and allows the engineer to modify their volume, tone, position, and effects before mixing them into one or more outputs, such as main speakers, monitors, or recording devices. The number of channels you need, whether you want analog or digital controls, and whether you require on-board processing can help you decide between a small, easy-to-use live mixer for a local show and a powerful stage mixing console for a touring band. Getting the right mixer will ensure your sound is clear, balanced, and professional.
Who Should Use This Audio Equipment?
If you need to control multiple audio sources simultaneously, the Audio Mixer category is an essential tool. This is necessary in many professional settings. This includes live bands and large venues that need a reliable console to mix many instruments, drums, and microphones. It also includes theaters and places of worship that need mixers for routing many channels, recalling scenes, and making monitor mixes just for them.
Audio mixers are also great for smaller setups. For instance, DJs and solo performers use compact live mixers to combine vocals, instruments, and backing tracks. Producers with home studios use them to accomplish tasks such as summing mixes, transferring signals to gear outside the studio, or adding touch control to their workflow. If you want to mix a lot of live signals and have full control over every component of the sound, including adding effects like reverb and delay, the audio mixer is the most critical part of your system.
Types of Products: Parts of the Mixer Category
There are four main types of products that can meet all of your live sound needs:
- Compact analog mixers with effects
- Compact digital tablet mixers
- Analog consoles that are medium-sized
- Digital rack consoles for professionals
Compact Analog Mixer with FX: Allen & Heath ZED-6FX (Dhs 830)
The Allen & Heath ZED-6FX is a compact analog audio mixer with effects, suitable for quick, easy setup while you’re on the go. It works well for solo acoustic artists, duos, public speakers, or podcasters who need a small audio mixer with effects for their shows. Some of the best aspects of it are that it has high-quality GSPre preamps (from Allen & Heath’s professional console line) that make it sound great for its size, a strong all-metal chassis that can handle being on the road, and an FX engine that has reverb and delay, so you don’t need any extra effects devices.
It also has some limitations, such as having only six channels (six inputs), not being able to save settings because it is analog, and a basic EQ section. There are two stereo inputs, two high-impedance (Hi-Z) guitar inputs, and two mic/line inputs. There is also a USB audio interface for recording two tracks.
Compact Digital Tablet Mixer: Allen & Heath CQ-12T (Dhs 3,645)
The Allen & Heath CQ-12T is a small digital audio mixer that can be controlled by Wi-Fi and a tablet. This makes it a flexible tool for advanced processing and remote mixing. It’s great for musicians or small bands who want a digital solution that doesn’t take up much space, event planners who want to mix wirelessly from anywhere, and people who want to control and automate their digital sound. Some of the CQ-12T’s best features include advanced digital processing on every channel, wireless mixing with a tablet, and the Automatic Gain Assist feature to make setup easier. But it depends a lot on the tablet interface, has few physical faders, needs a stable Wi-Fi connection, and might be harder to learn than analog mixers. There are 12 inputs on the I/O (8 Mic/Line and 4 Stereo), and it has built-in Wi-Fi, DEEP effects, and scene recall.
Mid-Sized Analog Console: Allen & Heath ZED-420 (Dhs 7,043)
The Allen & Heath ZED-420 is a large analog stage mixing console. It has all the physical controls you need for reliable, traditional mixing setups. It works best in mid-sized venues, recording studios, or touring acts that need many channels and dedicated monitor buses. This is especially true for those who like a traditional hands-on interface. It has plenty of channels (20 Mono and 2 Dual Stereo) and can route signals in many different ways thanks to 4 Subgroups and 4 Aux Sends. This makes it great for routing complex monitor and external FX signals.
It also has a dedicated physical control surface, making it as reliable as a stage mixing console. Its biggest problems are that it’s big and heavy, which makes it hard to move for non-permanent setups, and that it doesn’t have any built-in processing or effects, so you need to buy external rack units. Some of the technical highlights are high-quality DuoPre preamps, a 4-band EQ with swept mids, and USB Stereo I/O.
Professional Digital Rack Console: Allen & Heath SQ-Rack (Dhs 9,161)
The Allen & Heath SQ-Rack is a powerful, professional digital engine designed for high-density, complex live. The Allen & Heath SQ-Rack is a high-end, professional digital mixer that can be installed and used on professional tours. It can be mounted on a rack and controlled remotely. It is best for professional touring companies, big music venues, and broadcast facilities that need the best digital processing and many channels. The SQ-Rack’s best features are its excellent 96kHz processing with an XCVI Core that doesn’t lag, the ability to add up to 48 input channels with external dSnake devices, and the fact that every channel has a full set of professional dynamics, EQ, and effects (DEEP processing). Also, its rack-mount design makes it easier to integrate into existing infrastructure and saves space.
The main problem is that it requires a separate control surface, such as an SQ console or a tablet, to work. It’s also costly and complicated for small, simple needs. Some of its technical highlights include 48 input channels, an SLink port for expansion, and optional Dante/Waves cards. It also has built-in scene management.
How to Pick the Best Product for Your Needs
The right mixer choice is defined by your channel needs, budget, and preferred operating style.
| Solo Musician/Podcaster (Small venue, need basic effects) | Allen & Heath ZED-6FX |
| Small Touring Band (Need flexibility, processing, and remote control) | Allen & Heath CQ-12T |
| Venue/Engineer (Need high channel count, physical faders, traditional FOH console) | Allen & Heath ZED-420 |
| High-End Production/Tour (Need max channels, 96kHz fidelity, digital routing) | Allen & Heath SQ-Rack |
In a Nutshell:
- ZED-6FX gives you portability and analog simplicity with built-in effects.
- CQ-12T gives you digital power and remote control in a compact size.
- ZED-420 gives you robust channel count and tactile control for mid-sized stages.
- SQ-Rack gives you professional, expandable digital power for the highest demands.
These mixers offer scalable options to build the perfect audio system for any stage mixing console or live sound application.